#about iii.

[buzzingswarm]

candyman, what is he?

to see him is to know, without a doubt, that you have always known him. known him as an entity in that place kept for terrors.

he clings to history as difficult to endure hearing as they are to tell. you need these shows and shams to keep your interest. you need a trauma too loud to ignore. his Existence & Immortality is achieved by a cycle of ageless oral tradition, supping the chill of fear felt by people when sharing Candyman's story. Candyman has worn the faces of many different tragedies, but his current conscription is the spirit and tale of daniel robitaille. they influence one another, and would not be so easily separated. where Candyman ends and daniel begins, who's to say?

it is why he must defend the rules: summoning him will end in bloodshed, or else there will be doubters, and soon no one will carry on their lips his legacy

candyman, what is his power?

MENTAL INDUCEMENT: TO PUSH THE MIND TO A DESIRED STATE ADDICTIVE CONTENTMENT: TO CAUSE OTHERS TO FEEL EMOTIONAL ATTACHMENT FANATICISM MANIPULATION: TO INDOCTRINATE OTHERS INTO FANATICAL OBSESSION

And you will be enchanted upon witnessing him. By his voice, by his fetching display, by the buzz from his body. You will have to fight to resist the rapture. You think you know he means you as much harm as romance. he is the Power of Seduction, speaking like an old lover, it is courtship simply to be looked at by him. He drains the strength from your limbs when he reaches for you with offerings.

The sweetness he offers is life without living: was to be dead, but remembered everywhere; immortal in gossip and graffiti. he offers to put You in his story, by being his victim.

You must consent, either by summoning him or by obliging him when he asks for you to forfeit your life over to him.

Once summoned by the ritual of speaking his name five times in a mirror, he can do much more than suddenly appear and slay you where you stand. he can haunt you as he sees fit, invisible or visible at his whim, either as only a reflection or with a physical form, appear anywhere at any time, and extend his violence to anyone close enough to your vicinity.

[professionalowl]

so. um. the good news is we found your boyfriend. the bad news is that, well, we sort of…dug him up…in the middle of a car park. in leicester (buckley et al. 2013). leicester, yeah. sorry. they demolished the friary he was hastily interred in when henry viii dissolved all the monasteries. you know how it is. and as it turns out, well, shakespeare was…sort of right about him. scoliosis, yeah, sorry (appleby et al. 2014). if it makes you feel any better we analysed his bones and it turns out he had a pretty high-protein diet before he died (lamb et al. 2014). and he drank so much wine that it changed their chemical composition, which we didn't know could actually happen before we analysed him (lamb et al. 2014), so he was having a good time, at least. 

BIBLIOGRAPHY

Appleby, J., Mitchell, P.D., Robinson, C., Brough, A., Rutty, G., and Morgan, B. (2014). The scoliosis of Richard III, last Plantagenet King of England: diagnosis and clinical significance. Lancet 383, 1944. 

Buckley, R., Morris, M., Appleby, J., King, T., O’Sullivan, D., and Foxhall, L. (2013). ‘The king in the car park’: new light on the death and burial of Richard III in the Grey Friars church, Leicester, in 1485. Antiquity 87, pp. 519-538. 

Lamb, A.L., Evans, J.E., Buckley, R., and Appleby, J. (2014). Multi-isotope analysis demonstrates significant lifestyle changes in King Richard III. Journal of Archaeological Science 50, pp. 559-565.

[daydreamerwonderkid]

Post patrol family game night goes awry ...

Meme reference under cut

[william-shakespeare-official]

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

[anonabelle]

Couldn't resist busting out a warmup sketch while listening to one of my comfort osts. This is Berk always makes me feel so emotional. What a way to open a movie.

[ayo-edebiri]

It's happening

[saddleseatollie]

I've seen a lot of people point out that while Astarion's whole "thing" in act 1 is that he's this sexy sweet talking savant, he only has 10 charisma and actually isn't all that good at it.

He practices cheesy pickup lines within earshot of the person he's going to say them to, and every single time he flirts with tav it's extremely heavy-handed and almost cringeworthy. It's pretty obvious that he's trying to manipulate tav, even if the reason doesn't become clear until his act 2 confession.

But here's the thing: Astarion never actually needed to be all that good at flirting.

He says himself that the vast majority of his "targets" were drunks and brothel-goers. People who never actually saw him as anything other than an object for their pleasure. They were going to go home with him no matter what he said. A few pretty words and his physical beauty would do the rest.

But Tav is the first person to actually view him as a real person, which is why it becomes so glaringly obvious that he's not nearly as charming as he thinks he is. Astarion tells them at the tiefling party that "every part of their body screams temptation" and their response is that he's "sweet" and "silly". They're not buying it for second, because they don't need to be told pretty lies to like him. They like him because of who he really is as a person. They fall in love with him not because he's good in bed or has pretty eyes or a sexy body. They fall in love with him because he's sweet and secretly very kind. Because there is so much pain and sadness and fear in him, and he truly cannot see how amazing he really is. That his goodness never really went away, it just got hidden for a while.

[stormygopher]

The Legend of Vox Machina is a deeply philosophical show that asks important questions such as: “what if the Grand Duchess Anastasia Romanov had a gun?”

[fantasticgothicpeachsludge]

Bernard: i lied. i don’t like sex. put your clothes back on babe and watch my power point presentation about What The Fuck Is Going On Between Batman And Twoface

Tim: …

[bribinart]

this guy am i right

[anotherdarkiboi]

List of Astarion's Terms of Endearment

This is for the fanfic writers haha. Tell me if I'm missing any so can add it in!

Darling (his most used)

My love, love

My sweet

“You sweet, generous thing”, “you sweet little thing”

Lover

My dear, a dear, dear

Beautiful

Cheeky little pup

My little treat ("-with their cheeks all flushed")

Sweetie

Pet

You wicked little thing (affectionate)

"You're a sweetheart", "you sweetheart"

Delectable little pet (not directed towards Tav but it easily could be)

My friend (yay, we're his friend)

My favorite traveling companion (not a pet name but it's nice to be his favorite)

My leaking blood-bag (technically you refer to yourself as that first and he calls you his one after, but it counts)

You little scoundrel

Edit: Thank you everyone in the comments for adding the Dark Urge ones!

Bhaal-babe (I'm dead, this silly pun I swear)

My sweet, bloodthirsty friend

My precious little Bhaal-babe

My conflicted villain

My dagger-happy friend

Bonus: Ascended Yandere Astarion

My pet, pet

Little love

Precious thing

My treasure

My consort, My Dark Consort

My favorite spawn

Insolent little- (the Dev's notes say that the full line is "you insolent little brat" which, um...)

Insolent little pup (the line was in EA, although I’m not entirely sure if it’s Ascended Astarion. Full line: “you are an insolent little pup, aren’t you?”)

"You ingrate" (When you try to break up with him. It's not really a pet name, but-)

"Property I cherish, but still my property" (his thoughts)

[angy-malanyi]

sir i don’t think you are allowed to say that

check it out on twitter!

[clingonlikeclingwrap]

“Good Listener”

A dynamic I realised I like 😌

[paranoart]

I bum-rushed a Baldur's Gate 3 poster in time for MCM Comic Con London this weekend and oh god bg3 community I hope I did right by you

[iicaru2]

one of my favorite behind the scenes details is that theo solomon (wyll's actor) loves wyll's romance scenes and considers them among his favorite scenes to do, while tim downie (gale's actor) was Flabbergasted to learn that not only is romance an option in the game, but he plays a romanceable character— the horror!— and fell ass backwards into The Boat Scene which had to be redone like six times, to his utter agony.

[aq2003]

grabbed all of the ebook versions of the folger shakespeare library's annotated versions of shakespeare's plays (+sonnets and poems) and put them all in one place in case anyone is interested